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The Art of Charles Pilkey |
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THE GALLERY of BABYLON |
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In Babylon stands a gallery whose innumerable chambers and vast halls stretch into unknown spans of time and space. Every work of art made by human hand and every work not yet made are housed within its vast confines. |
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Once in the Postmodern section of the Gallery of Babylon, I chanced upon a room filled with a strange species of bird-men. Standing on human legs, but with heads exactly like parrots, first one, then another of these bizarre creatures strutted across the floor with great pomp and self-importance, shouting mysterious phrases like deconstruction! or signifier! Thereupon the rest would puff their chests, nod their beaks vigorously and repeat the same strange utterances. So great their cacophony was that I covered my ears and ran for the exit.
"Doubtless," I thought. "There must be other rooms worth visiting." |
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A youth raced through the crowds And flung his paintings furiously In rage of great indignation. I accosted him thus, "Young man, Why throw away your work in such wanton abandon?" He caught his breath and exclaimed, "The world is a place of sorrow And abominable injustice. "My works are utopian visions That will transform this world's baseness Into beauty and love." "You must know," I countered. "That art cannot possibly ...." "You lie!" He cried. And ran on, Leaving behind a broken trail Of discarded canvas. |
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A fool and a sage discoursed importantly About the nature of time and space. "History," said one. "Is a three-legged tortoise Crawling crookedly in circles Across the sands of time Toward a vacant horizon." "Wrong!" Thundered the other. "History is a half-blind blacksnake Slithering from a dark hole Toward the glorious sunlight above." A crowd had gathered And applauded loudly At such elegant erudition. But I left uncertain. Who was wise And who was the fool? |
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In the confused halls of modernity One day lost. I met Rembrandt Walking quietly Back to his studio. We talked awhile Of beauty and eternal truth And the bitter vision Of honest expression. Suddenly we came upon A naked man squatting, Legs apart, Defecating loudly on canvas. "What ...?" "He seeks the new." I explained. "But the smell!" "Yes." I agreed. "That would be The sweet stench of novelty."
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In the shadows of First Friday Just beyond the Gallery walls, Like a forgotten bag of potatoes, Crumpled, War Child stretches Disfigured fingers, Dirty with hope, Toward the promenade Of important artists and bankers Passing in great ceremony On their way to the next Significant exhibition.
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